Selected Publications

  • “Socialist Multimedia Warfare: Cine-Exhibition of Class Struggle in 1960s China.” Grey Room 2022; (89): 6–41.

  • “Ways of Seeing (through) Pidou: Cinema, Recycling, and Transnational Circulation” in Chinese Cinema: Identity, Power, and Globalization, edited by Jeffrey Kyong-McClain, Jingjing Chang, and Russell Meeuf, (Hong Kong University Press, 2022), 19-40.

  • “Cinema at the Table, Cinema as Roundtable,” Journal of Chinese Cinemas, Vol. 15, no. 2-3 (2021): 176-199.

  • “Introduction: Sampling Global Roundtables and Chinese Cinephilic Communities in the Pandemic Era,” Journal of Chinese Cinemas, double special issue on “Cinema as Round Table: A Deep Focus on Global Chinese Cinephilia,” Vol. 15 no. 2-3 (2021): 121-138.

  • (co-authored) “A Scholarly Roundtable with Deep Focus and DIRECTUE,” Journal of Chinese Cinemas, Vol. 15 no. 2-3 (2021): 257-279.

  • “Archival Work as Ethnographic Encounter,” Adventure, Inquiry, Discovery: CLIR-Mellon Fellows and the Archives, edited by the Council on Library and Information Resources (CLIR), 2023, 13-16.

  • “The Child as a Viewfinder of History: Vision and Blindness in Chinese Cinema,” in The Child in World Cinema. ed. Debbie Olson. Lanham: Lexington Books, 2018, 375-408.

  • “Animating Herstory? Stillness/Motion, Popular Cinephilia, and the Economy of the Instants in the Post-Cinema Age.” Journal of Chinese Cinemas. Vol. 11 No. 3 (2017): 243-258. 

  • “Reading Pain: Menstruation, Moving Images, and Her Direct Address,” China Book Review (zhongguo tushu pinglun) no. 5 (May 2021), 39-49.

  • “Periphery, Border-crossing, Moving Images: The Problems of Asian Cinema in the English-speaking Scholarship,” in Film Art (Dianying yishu). Vol. 398, no. 3(2021): 20-7.

  • “Rethinking American Teen Film as Alternative History, Cross-generational Economy, and Spectatorship,” in Film Art (dianying yishu), Vol. 374, No. 3 (2017): 20-7.

  • Book review for Wu, Weihua. Chinese Animation, Creative Industries Digital Culture. New York, NY: Routledge, the Taylor & Francis Group, 2017. 206 pages. Association for Chinese Animation Studies (ACAS), October 16, 2018.

  • Book Review for Wang, Tuo. The Cultural Revolution and Overacting: Dynamics between Politics and Performance. Lanham: Lexington, 2014, 173 pages, The China Review, Vol. 16, No. 2, (Fall 2016): 201-203.

  • (Translation from English to Chinese) Chaiworaporn, Anchalee. “The Culture of New Cinema in Southeast Asia,” Beijing Film Academy Journal (beijing dianying xueyuan xuebao). Vol. 6 (2016): 134-43.